The Sacred Ensembles Of The Hoysala Temples Submitted For Consideration As World Heritage

New Delhi, February 1 (TNA) The Hoysala Temples of Belur, Halebid and Somnathapura in Karnataka have been finalised as India’s nomination for consideration as World Heritage for the year 2022-2023.

The 'Sacred Ensembles of the Hoysala' are on UNESCO's Tentative list since 15th April, 2014 and represent one of the highest points of human creative genius and stand testimony to the rich historical and cultural heritage of our country.

The first step is submission of the dossier to the World Heritage Centre which will do the technical scrutiny of the same. Vishal V Sharma, Permanent Representative of India to UNESCO formally submitted the nomination to UNESCO, Director of World Heritage, Lazare Eloundou on January 31.

Once the submission is made, UNESCO will communicate back by early March. After that the site evaluation will happen in September /October 2022 and the dossier will be taken up for consideration in July /August 2023.

All these three Hoysala temples are protected monuments of the Archaeological Survey of India (ASI) and therefore conservation and maintenance will be done by ASI. The state government will ensure the conservation of state protected monuments which are around these three monuments since it would add to the visual integrity of the place.

The District Master Plan of the state government will also incorporate the buffers of all monuments and build an integrated management plan. The state government will also look at the traffic management issues to be looked into especially around the designated property.

The sacred ensembles of the Hoysalas, built in the 12th-13th centuries and represented here by the three components of Belur, Halebid and Somnathapura, attest to the creativity and skill of the Hoysala artists and architects who built these masterpieces of a kind never seen before or since.

The Hoysala architects used their profound knowledge of temple architecture in different parts of India to their advantage. The Hoysala temples have a basic Darvidian morphology but show strong influences of the Bhumija mode widely used in Central India, the Nagara traditions of northern and western India, and the Karntata Dravida modes favoured by the Kalyani Chalukyas.

Therefore, the Hoysala architects made considered and informed eclectic selections of features from other temple typologies which they further modified and then complemented with their own particular innovations. The result was the birth of a completely novel 'Hoysala Temple' form.